OHS Inv. #2708
Chuck Williams
Columbia River Dissenters Series
January 22, 1999
Tape 1, Side 1
CW = Chuck Williams
CH = Clark Hansen
Clark Hansen: This is an interview
with Chuck Williams at his gallery in The Dalles, Oregon. The interviewer, for
the Oregon Historical Society, is Clark Hansen.
The date is 1/22/99. This is Tape
One, Side One.
So
I thought we’d first begin by exploring your own family’s background, and your ancestors, and what your
roots are in every direction you could mention...
Chuck Williams: Well, my father Clyde
Williams is Cascade Indian, and he was born in the back room of the Skamania
General Store, and his great grandfather was Tumove [sp?] - is that coming
through okay? - was Chief Tumove, who was the head chief of the western end of
the Gorge, and who signed the 1855 treaty, the Willamette Valley treaty that
the led to the establishment of the Grand Ronde Reservation. And a few months later, in the beginning of
fifty-six, some Yakama Indians, or Klickitats came down from Yakima and
attacked the blockhouse there at the Cascades. Then Lieutenant Phil Sheridan,
The-only-good-Indian-is-a-dead-Indian Sheridan, was the head of the dragoons at
Fort Vancouver, and some of the settlers got away, and came up and blew the
bugle, and the Klickitats took off, and the Cascades had just signed the peace
treaty, so they didn’t flee, and Sheridan needed a scapegoat, so my great great
grandfather was the chief, so he was hung on the spot. The trial consisted of Sheridan putting his
finger in my great great grandpa’s gun, [that] had been fired recently, so he
hung him on the spot. It was actually
one of the lost lyrics of Woodie Guthrie’s “Roll On Columbia,” that they found
in the fiftieth anniversary, that had disappeared, and they found the original
recording of it, and there was a line in there about Sheridan hung every Indian
with smoke in his gun or something [laughs] that was great great grandpa. And so...
CH: So
what year would that have been?
CW: Fifty-six. He signed the treaty in 1855, in Dayton,
which is where my mom was born. And most people don’t understand that the Grand
Ronde treaty goes all the way up to Cascade Locks, the crest of the Cascades is
the divider between the Grand Ronde and the Warm Springs treaty ceded areas.
So, since the Grand Rondes were terminated for about three decades, they
weren’t really ever allowed in the Gorge debate, and still don’t have a voice
in the Gorge, even though they have ceded lands, everything from Cascade Locks
on the Oregon side through the rest of the Gorge is Cascade territory, down to
the Portland Airport, basically.
CH: So,
if you were to branch back into your - going back in time to your parents, and your grandparents, and
your great grandparents, what are they all composed of? I mean, where did they come from?
CW: Well,
my dad’s family were Indians, like I say here, Cascade Indians from the Gorge.
[They] had been here since time immemorial.
We’re from the village that they built the second powerhouse of
Bonneville Dam on top of.
CH: What
were the - were these Chinook Indians?
CW: Yeah,
we’re Upper Chinook. We’re the same people, basically, as the Wascos and the
Wishrams. We lived the village there,
where the Bonneville Dam is still on top of.
It’s where three treaties come together, basically: the Willamette Valley’s, the Grand Ronde
Treaty, the Warm Springs, and the Yakama treaties come together. So my family and all the Cascades were split
up. About half of my family was sent to the Yakama Reservation, and that’s
where my family traditionally has been enrolled. A lot my
family, including Zane [sp?] Jackson, who was the longtime tribal
chairman of Warm Springs, his mom was my aunt, and was from our family. So a lot of the Wascos are people from our
family, and then Grand Ronde is where a lot of my family ended up now.
The
Grand Ronde Reservation was put out towards the coast, because the main purpose
was to try to get all the Indians out of the Willamette Valley, to open up the
farmlands. Since the reservation ended
up over by the coast, we ended up at the - most of us ended up at the Yakama
Warms Springs Reservation. It didn’t
really have to do with who you were, it was where you were when you were
rounded up by the army. So if you were,
say, a Wishram, that’s what kind - [indiscernible] are Wishrams - if you were
rounded up by the army in what’s now Dallesport, then you were sent to the
Yakama reservation, and you Wishram or a Cascade. If that person’s brother was over on The
Dalles side when they were rounded up, he was sent to Warm Springs and called a
Wasco. If you were down on Sauvie’s
Island where we used to get wapato, then you were sent to Grand Ronde and
called a Cascade or something. So we
were split into three different reservations and such, including my own families,
where the...
CH: So
your dad was, was he a one hundred percent Chinook?
CW: No,
his dad was white. He’s half, so -.
CH: And
where did his dad come from?
CW: He
came out - he was Welsh - and came out on the railroad, in the
eighteen-eighties, and then came down the Gorge. I’m not - I don’t remember why he came down, but he came down to homestead
in the Cape Horn [?] area, and met my grandma, who was full-blood Indian. They sort of were married, but at that time
it was illegal in the state of Washington for an Indian to marry a non-Indian,
clear into the nine - I think it was like 1906 or something...
CH: Really?
CW: ...at
that time, so it was a totally illegal marriage. Plus, it took two days to get
to Vancouver to get married. So, people
around there didn’t really formally get married anyway, that much
[laughs]. So, my great grandma, my
grandma - my Indian grandma’s mother is Kalliah. She’s very famous, known as Indian Mary, and
there’s creeks named after her, and roads and such. So she was five years old
when her father was hung by Phil Sheridan and the army. It was such an atrocity that the soldiers
took up a collection of gold, and gave it to my great grandma’s older
sister, Ray Zane [?] Jackson’s mom. She’s the woman in the famous Edward Curtis
photographs of the Indian woman at the mouth Willamette - at Wind River with
the big canoe. That’s my great grandma’s
older sister. The soldiers gave her some
gold, because they felt so guilty about what had been done to her dad. She hung on to that all of her life, and did
a tombstone for her husband in the Cascade cemetery there, when he died, or
some...
CH: And
she lived where?
CW: She
lived at the mouth, by where they now call Home Valley, there at the mouth of
the Wind River. But they were born down
on our family land that’s now part of Frenz Lake National Wildlife Refuge. So when my great great grandpa was hanged, he
was - even though he had signed the Grand Ronde treaty, his wife was Wishram,
so the family was sent to the Yakama reservation. Like one of my Yakama friends that is on
council says, “Indians are like homing pigeons: sooner or later you come back
to the reservation.” So, as soon as she
grew up - she was five when her dad was hanged
by Phil Sheridan - so when she grew up, she came back to the Gorge, and
traded some horses to get back land that’s where what’s now the Frenz Lake
there, just west of the community of Skamania.
Since she was an Indian, she couldn’t legally own land. So white people were filing homestead claims
on top of her land, and I actually have a copy of the bill. Actually, I think I have it in the drawer
there. She had got a contract with the government to take the mail around the
Cascades. When the mail boat would come
up from Portland, they couldn’t get around the Cascades. So she would meet the boat on her horse, and
take the mail around. She was a
government-contracted employee, and so when these whites were trying to steal
her land from her, she went - they had an Indian agency in Vancouver at the
time, that has been I guess there for years.
She went in and met with them. He
got a bill through Congress, signed by Grover Cleveland, that held her land in
trust. That’s been kept in the family,
and so when - and that’s the land that’s
now - that I was telling you about, that I wouldn’t let go to the Forest
Service. We had held it for decades,
waiting for the National Park Service to manage the Gorge, and sell it to the
Park Service. Then when it became
obvious [that it would be part of] the Forest Service, then I got a rider
through Congress, and made it a National Wildlife Refuge. There’s now over a thousand swans a day, on
the lake in the wintertime.
One
of the most exciting things is for - for Chinook people and all of the lower
Columbia native people, wapato was our main starch, was our potato. It’s the tuber that grows in shallow
wetlands, and it was an incredible source of starch. The Indian women would pick - would walk
through the wetlands, and pick it with their toes. [If] you pick it the same
time - the right time of year, it floats to the surface. They would have little, miniature canoes with
them, a few feet long, and then they just put it into that. Cattle grazing wipes it out. It’s really sensitive. When I came back to our land there, in the
mid seventies, there was only one patch of wapato left, and it was in Rooster
Rock State Park. Dave Talbot, who was
then head of the state parks, who is one of the main villains in my mind
[laughs] in the Gorge battle, leased Rooster Rock out to cattle, Rooster Rock
State Park, and wiped out the wapato there.
The biggest patches left had been in Sauvie’s Island. So the rest of
Frenz Lake - once we got our family land, and I got it authorized, then U.S.
Fish and Wildlife Service bought the rest of the lake. The brothers that owned most of it had been
leasing it out for duck hunting, and for cattle grazing, to pay the taxes on
it. They were like me, they had ended up
living in California during a lot of their childhood, and came back the same
time I did, to the family land. We were
real close friends, until they tried to build an airport on my wetlands
[laughs], then ran for county commissioner.
But anyway, once we got it into wildlife refuge, we got the cattle off
there. And now the whole north shore of
the lake is solid wapato, a massive patch.
I assume it was probably brought in by the swans, coming up from - in
their poop or something [laughs]. I
assume, because the nearest patch was Rooster Rock, and that had been almost
wiped out. So, wapato, our main plant
now, has come back really great on Frenz Lake.
I was talking to the Wasco chief the other day about when they do a root
feast there, soon, for - it would be the first wapato root feast in probably a
century, or something. So it’s one of
those few success stories in the Gorge.
CH: Now
the wildlife refuge is called the Frenz Lake?
CW: Right,
F-R-E-N-Z. Frenz Lake National Wildlife
Refuge. And it’s the most protected part
of the Gorge. The national wildlife
refuge, we got three of them in the Gorge, and one that I can tell you later,
that was supposed to be - and that’s the most - that’s the best managed lands
now in the Columbia Gorge, are U.S. Fish and Wildlife lands.
CH: Okay,
now going back to your great grandmother, Indian Mary, her husband was who?
CW: Her
husband was - my grandmother’s father was Johnny Stooquin who was Wishram. He was a jockey. He’s actually the grandfather of Chief Johnny
Jackson, who lives at the mouth of the White Salmon River. And then her - my grandma’s younger sister’s
father is Calitz [sp?] in French, so it’s a different husband. She had a different husband for the younger
daughter, but my great grandpa is Johnny Stooquin, who is enrolled in Yakama.
CH: Stuplin?
CW: Stooquin.
S - actually I got our BIA file here [laughs].
CH: Do
you actually have a copy of your family tree?
Did you ever put that together?
CW: Yeah,
I do. Here’s...
CH: Because
I’d love to have that for our file.
CW: Here’s
- yeah, this is how you spell...
CH: Oh
how wonderful.
CW: That’s
how the Yakama BIA file is. We’re like
the Mormons, we have to keep track of everyone in our family for enrollment
[laughs].
CH: Oh,
I see, I see. So this is part of your...
CW: Official
Bureau of Indian Affairs. It’s my legitimacy [laughs].
CH: Okay,
Okay. Stooquin is S-T-O-O-Q-U-I-N.
CW: And
since we have verbal languages, there wasn’t any real spelling, but that’s the
way it’s kind of been spelled down the years.
This is a [Inaudible] that we might be doing things.
CH: [laughs]
So...
CW: Where’d
you go Watson [?] [laughs]?
CH: Right,
exactly. Yeah [laughs]. So, in other words, your - okay, your - this is on your
father’s side?
CW: Right.
CH: Now
- So your great grandmother was Indian Mary.
CW: Right.
CH: And
her husband was...
CW: Johnny
Stooquin.
CH: Johnny
Stooquin.
CW: Right.
CH: Then...
CW: When
my grandma was born. That’s my grandma’s
father. And then she had another
daughter later with her next - with her second husband.
CH: Right.
CW: Who
was Calitz, Henry Will Wyapy [sp?],
CH: And
then your other great great grandparents, on your father’s side?
CW: I
don’t know too much about him. He was -
ironically, my white grandpa - my grandpa that was married Indian grandma, was
born in Pipestone, Minnesota, which is where all the pipes come from, where the
red stone that all the peace pipes in the country come from that quarry. That’s where he was born, and he kind of left
the family. He came out in the
eighteen-eighties, to Tacoma, on the railroad, when they completed the
railroad. Then [he] ended up coming down
to homestead and logged and such in the Gorge, and met my grandma. Like I say, at that time they couldn’t be
married. They lived with my great
grandma, had a cabin there that’s - if you go down Indian Mary Road to the
National Wildlife Refuge, the road makes an S-turn through an orchard, and
that’s my great grandma’s orchard. Until
we sold it to Fish and Wildlife, my dad and I still harvested fruit there every
year. The trees from this was - my great
grandma died in 1906, and the orchard’s still producing. Like I say, until my dad and I made it a
national wildlife refuge, we still ate off the fruit off of those trees, clear
into the - until about ten years ago or so.
That’s were she lived. And then
my fam - my grandparents then homestead - lived with her, Indian Mary, Kalliah,
for a while, and then they homesteaded up in Cape Horn. There’s pictures in my book of that. Then, during the depression ran the Skamania
General Store. People think that’s the
old one that’s there now, but that’s actually the new one. The old one was just to the west of there, on
the land that I lived on when I wrote the book.
My dad was born in the back room of the Skamania General Store, in 1918,
when my parents were - operated the store there.
CH: So
your parents now - your grandparents - your grandfather was a Welshman.
CW: Right,
right.
CH: And
your grandmother was...
CW: Full-blood
Cascade.
CH: Full-blood
Cascade. And her name?
CW: Amanda.
CH: Amanda.
CW: Yeah.
CH: And...
CW: Williams,
of course.
CH: Amanda
Williams.
CW: Yeah,
she was known [?] by Tumove or Stooquin, either way, [?] [in her] pre-Mary
days.
CH: How
did she meet your Welsh grandfather?
CW: I’m
not really sure. She was incredibly
beautiful, as you can see, so I imagine
[laughs] he was probably struck immediately [inaudible]. I don’t really know. Our oral history is so thorough, but it’s one
of those things - I don’t really know other than he came down to the area to
probably log. You know, there’s a lot of
logging, and homesteaders. Like I say,
he came down to the Gorge for work, and met her.
CH: Right.
CW: And
got married, and they ended up having eleven children. It was a cold Gorge - and my dad is the
youngest of the eleven.
CH: So
you’re probably related to almost everybody that’s in there.
CW: Yeah,
exactly [laughs]. About a third of
Skamania County is related to me [laughs].
CH: [laughs]
Right. Okay, so going on your mother’s
side, why don’t you go back there to as far back as you can go.
CW: My
mom’s white, and she’s Scotch Irish, and some English mixture. Her grandmother, my great grandma, started
out on the Oregon Trail when she was five years old. They got off in Nebraska until my great
grandma grew up. Then they moved on, and
came on out to Oregon in the eighteen-eighties, and settled in Dayton, were one
of the early settlers in Dayton. That’s
where my mom was born, and her mom, my white grandma were born in Dayton. It was - kind of talk about a schizophrenic
childhood. Dayton’s where my dad’s great grandpa, Tumove signed the
treaty. That’s where the Grand Ronde was
signed, in Dayton, with Joel Palmer. So
my white great grandma used to live, when I was growing up, on the square in
Dayton, right across the street from Phil Sheridan’s blockhouse. So Phil Sheridan shot my white great great
grandpa [laughs] - or my Indian great great grandpa. So I would be with white great grandma,
playing in the blockhouse [laughs], Phil Sheridan’s blockhouse. I kind of had a schizophrenic childhood,
there.
CH: [laughs]
So, your - going back again, your great grandparents on your mother’s side were
- you had two sets of them.
CW: Right,
and they settled in Dayton, and lived up there.
My mom’s maternal grandmother started out on the Oregon Trail to Oregon,
got off for a little while in Nebraska, and came on out, and lived to see men
on the moon. She died at ninety-nine in
Dayton. Can you imagine, one mind trying
to comprehend wagon trains to spaceships in one lifetime? It’s just mind-boggling.
My
mom - my white grandma was born in Dayton.
Then my white grandpa is from Nebraska, from a farming family near
Hastings, Nebraska. He came out - he
grew up and was kind of the family rebel - and moved out to Oregon. My mom was born in 1921, so he came out in
the teens. Then he worked on the Old
Scenic Highway, here in the Gorge, as
one of the workers on the Old Scenic Highway.
Then he went down and lived in Dayton, working on the locks, the Yamhill
locks there, on the Yamhill River. That’s
where he met my grandma. Which is
ironic, because she wanted to get out of the little town, and get to the big
city, and have some excitement, and he wanted a farm girl [laughs]. That marriage didn’t last too long, [just]
long enough for my mom to get conceived.
Then actually they got divorced, my grandma remarried, and he got killed
in a car wreck. Then she remarried my
grandpa again for a while.
So
anyway my grandma moved into Portland.
My mom was born in Dayton, but my family had some land that my grandpa
bought when he was working on the Old Scenic Highway. It’s the land - my mom thinks it’s where the
high school is in Hood River, but I never checked it out. It’s not really that important. So they used to spend the summers a lot in
Hood River. Growing up, my mom spent a
lot of her summers in Hood River, and has a lot of stories about that. She was living - my mom - in Portland, during
her high - she went to high school in Portland.
It’s now the administrative center in Portland. As I said, my dad was born in the back of the
- and grew up in Skamania, and being a half-blood there, you were totally
between cultures. It was really a rough
time. It was so bad that a lot of his
generation kind of repress stuff. You
know, they forget the bad times, and actually a couple of the older ones just
moved into Portland, or one to San Francisco, and just kind of left their
Indian heritage behind. They were just harassed constantly. Even my dad, who was born in 1918, suffered a
lot of that when they went got to school.
Stevenson was, still is, a very racist place, which is about eleven
miles to the east. But that’s where he
had to go to high school and such. So
the Indian kids and the half breeds would go up there. They’d get rocks thrown at them. They could get Saiwash [sp?] yelled at them,
which was kind of the equivalent of nigger.
It was the Chinook jargon word for Indian. It became a slur towards Indians to
whites. Fortunately, it seems to have
disappeared from - unlike the N-word - it seemed to have disappeared from the
vocabulary here in the Northwest. They
would have rocks thrown at them and such, but they were educated and half
white, so they weren’t - they didn’t really fit in with the Indian community,
too. In fact, when Aunt - Widacreek
[sp?], Aunt Virginia - the woman photographed by Curtis - would come down to
visit my grandma, her niece, they would kind of be embarrassed, because she was
what they used to refer to as a blanket Indian.
She was a traditionalist, that made no attempt to assimilate into the
white world. So they were kind of
embarrassed , you know [laughs], that a blanket Indian - that they’re relatives. They were hung out between cultures. There was a whole community around Skamania
of half-breed people that didn’t really fit in, really, to each culture. The older ones really had it bad, I mean to
the point where the don’t even - won’t talk even. There’s two of my aunts left, still alive,
that wouldn’t even talk about [it]. But
the younger ones were very proud of them [?].
My dad and the next few were just - even though they got harassed - they
were Indian period, and made no bones about it, and were very proud of it. The older ones were - really had a lot of it
beaten out of them. It was a pretty
rough time there.
My
dad ended up - right before he went into the Navy - was working in the
shipyards in Portland. He actually - his
first job out of high school was working out at Bonneville Dam, which was built
on top of his village. It didn’t last -
that didn’t last long. It’s kind of one
of those little ironies of life. So, he
went into Portland and worked in the shipyards there, the iron works. My mom was - had just gotten out of high
school, and was babysitting for one of my aunts, who ended up marrying Jim
Walker who’s - I think they - the Oregon Historical Society, I understand, has
a whole section on him. He’s invented
model airplanes, remote control. He had
American Junior Aircraft Company. He was
the founder of that. He’s the only
person in my family that ever had money.
He’d do these inventions. He, for
instance - he had a lot of nerve problems - you know, a very hard-working
guy. The doctor told him he needed a
hobby like model trains. His business
was making model airplanes, so he filled up his whole basement with model
trains. His friends would come over and
they’d get drunk, and wreck his trains up.
So he invented this switch that would automatically align itself as the
train came, so they wouldn’t wreck it. [He] ended up selling it to Lionel for a
fortune. He became very wealthy, the
only people in our family that were wealthy [laughs].
CH: Really?
CW: They
had three daughters, my aunt and Jim Walker.
My mom was babysitting for them, to try to get enough money to get to
school. So my dad came over to visit his
older sister one day, and their youngest daughter is one of my favorite cousins
- dragged my dad in to meet my mom, and said, “this is your future wife here
[laughs], meet her.” So that’s how my
parents met.
CH: Was
it actually kind of arranged like that?
CW: No,
no. It was just - the young girl decided that her Uncle Clyde and my mom, her
babysitter, were a perfect couple [laughs], and informed them that they were
going to marry each other. So it was
arranged by like a five year old [laughs].
CH: Your
mother’s name was what?
CW: Betty.
CH: Betty.
CW: Betty
June Defanbaun [sp?]. That was her
father’s name, Defanbaun. He’s the one
that came out from Nebraska and worked on the Old Scenic Highway. Her maiden name was Rowley. My mom’s grandma, Ida Rowley, is the one that
settled in - one of the early families in Dayton. Rowley’s kind of the family name
there...
CH: And
your father...
CW: R-O-W-L-E-Y.
CH: L-E-Y.
CW: Yeah.
R-O-W-L-E-Y. It’s one of the early
families in Dayton.
CH: And
your father’s name was?
CW: A.
Clyde - Arthur Clyde Williams.
CH: Arthur
Clyde.
CW: He
goes by Clyde - went by Clyde. He past
away a few years ago. My mom’s still
alive.
CH: And
so, he was - his father was white...
CW: Yeah.
CH: And
his mother was...
CW: Was
full-blooded.
CH: Full-blooded
Indian.
CW: Yeah. His father’s Charles Otis Williams, the Welsh
man. That’s who I’m named after.
CH: Oh
I see, I see.
CW: But
Chuck - but he went by Charlie. Chuck is
a Chinook word for river. So that’s why
I’ve always gone by Chuck. A lot of the
rivers like the Klickitat and White Salmon, that are wild - they’re National
Wild and Scenic rivers, I was the impetus behind. So my nickname at Warm Springs - a lot of
Indian country - is Wild-And-Scenic Chuck - is my Indian nickname. Hell, I’m neither as wild nor as scenic as I
used to be [laughs]. Pollution over the
years, erosion, is something that [laughs} -.
CH: So
then your father then, he moved into Portland during the war years?
CW: Yeah,
to work in the shipyards, before he went into the Navy. That’s when he met my
mom. So I was born in Portland, because
of that, in a hospital that no longer exists.
I can’t even remember the name of it.
CH: Really? It’s...
CW: I
could find that out, but mom still remembers.
But it’s one that no longer exists.
CH: So
you were born when then?
CW: In
forty-three.
CH: 1943.
CW: July,
twenty, forty-three. War baby. My dad had just gone in the Navy. So then we - the first two years of my life,
we lived in, like twenty places. I think
that’s one reason I’m so nomadic [laughs], I’ve been so nomadic. I’ve moved to San Diego, San Francisco, and
all over the place, when my dad was in the Navy. And then, after he got out of the Navy, we
ended up in Springfield, there near Eugene.
That’s where I went to first and second grade, was in Springfield.
CH: I
see. Do you have brothers and sisters?
CW: I’ve
got a younger sister, whose three year - Em [????], who lives in Santa Rosa,
California.
So
when I was in third grade - my dad was able, after got out of the Navy - only
because of the GI bill - was able to got school. [He] was one of those people who probably
would never have been able to got to college, if it hadn’t been for the GI
bill. He started at Washington State,
and was going to take business classes.
He scored the highest score they had ever scored on a math test. The college says, “Hmm, you ought to think
about engineering.” So he ended up going
to Oregon State [inaudible]. So we lived
there - I guess the first two years of my life was when we traveled in the
Navy, so it would have been until I started first grade. We lived in Corvallis there, when I was like
three and four, in that - three, four, five, somewhere in that - while my dad
was going to school. Then we moved to Springfield.
Even
though my dad has an engineering degree - a mechanical and electrical
engineering degree - he, being Indian, it wasn’t real easy to get jobs. So we ended up moving to Petaluma,
California. It’s about an hour north of
San Francisco. So that’s where I grew -
from third grade through high school, that’s where I grew up. About the time I was getting out of high
school, my parents divorced. My dad
moved back to the Gorge, and I ended up back here later. My sister and my mom still live in Sonoma
County. So [it’s] kind of a second home.
CH: Well...
CW: My
mom’s one of those people that was born in Oregon and moved to California.
CH: [laughs]
The other way around.
CW: The
reverse migration, yeah.
CH: What
was your father’s occupation?
CW: He
was an engineer.
CH: Where?
CW: Well,
from third grade on, he primarily worked at a company called Crestview, and did
a lot of inventions. He helped the -
what do you call it? - the ion, negative ion generator. He was one of the co-inventors of that, and
invented these Christmas tree stands that went around and played music. We used to have all this stuff in the house,
testing all the time, growing up.
CH: And
-.
CW: But
like all Indians he came back home - so he came back to the Gorge. About the time I was getting out of high
school, they divorced. So he worked for
Tidlan [sp?] Machine Company in Washougal, when he came back.
CH: What
year would he have come back?
CW: I
graduated in sixty-one, so it was in - he actually - they divorced in
sixty-one, but he lived in San Rafael for about a year before he came back to
the Gorge. So he would have back in
sixty-three probably.
CH: And
he came back to - and lived in Washougal, then.
CW: Yeah. That’s where my wife - his parents moved to
Washougal at the end of their lives, so they’re buried. That’s where I remember my grandparents more,
is living in Washougal, right under the tower there. They’re buried along the Washougal River,
there. All the rest of my Indian family, at what was called the Cascade -.
[End of Tape 1, Side 1]
January 22, 1999
Tape 1, Side 2
CH: Okay,
go ahead. You were talking about your family was a - the rest of the family was
buried.
CW: Right.
So on my - when my dad’s parents retired, they moved into Washougal, and lived
there. My oldest - my dad’s oldest
sister worked in the mill there at Pendleton.
So we used to hang around there when we were kids, back when in the
seconds shop, you got really good deals, before the tourist buzz found it
[laughs]. We got most of our clothes
from the Pendleton Wool Mill seconds shop there in Washougal, that only locals
went to...
CH: But
that would have been after you got out of high school then, and came back?
CW: No,
my dad’s father died when I was real young, and my grandma died when I was nine
or ten. So that would have been - she
would have died in the early fifties.
They moved into their - I think in the forties. They still lived in Skamania County during
the thirties. So some time in the -
around forty probably - is when they moved into Washougal, basically their
retirement years - when they retired.
CH: But
you basically grew up in Petaluma.
CW: Right.
CH: I
mean, prior to your first couple of years of grade school, then you went back
down...
CW: Yeah,
I grew up from third grade through high school in Petaluma.
CH: And
did you come up here during that time?
CW: Oh
yeah. It was every summer. It was family - yeah. We spent a lot of time. We’d come up for Christmases and it was - we
were kind of like the hillbillies that moved to the North, Chicago and Detroit,
but we’re - I can’t remember what they call it, but that road that goes between
Chicago and Detroit to the - [to] Kentucky and Tennessee is just lined with
people commuting back. We were that way. We were just all - it was with both my families,
being from here, all the relatives were...
CH: So
you would go where? When you came back
up here during your summers, where were you...
CW: Well,
we’d go to Dayton to see my - we’d go to Portland to see my maternal grandma,
and Dayton to see my maternal great grandma, and then Washougal to see my
grandparent - my dad’s parents, and then we owned the land where the Skamania
General Store was, in Skamania. That was
always like - we always spent a lot of time there, in the huckleberry. You know, that was kind of the roots to my
life in a lot of ways. It was our home
that we always went back to - kind of our spiritual home or something, was the
land we owned there. So [I] spent a lot
of summertime there, chasing bears. It
was like a really fun time. Then we had
other aunts and uncles. My dad had
eleven older brothers and sisters. So
it spread from The Dalles to Portland, basically [laughs].
CH: At
that - during that period that you were growing up, say by the time you got through
with high school in Petaluma, where did you - I mean, do you feel there were
any major episodes that happened in your life, major events that somehow
affected the way you - decisions you made in terms of which way to go and all
that?
CW: Well,
my Indian heritage had a big thing, because even when I was young - my mom was
telling me when I was visiting her at Christmas. Well, I started in Petaluma, and they went to
a field trip, to the Sonoma Mission - this was when I was in third grade, my
first year there. They started to take
the class into the Phil Sheridan Room at the Sonoma Mission, and I refused to
go in. The teacher says, “how come?” and
I says, “because he was a jerk. He hung
my great great grandpa after - he was an Indian chief.” She thought, this kid - being light-skinned,
blue eyes - she thought this kid is probably a little bad [laughs]. So she - and she knew my mom, who was white,
but she didn’t - she never met my dad, so she didn’t realize he was
Indian. She calls up my mom that night
and says, “let me tell you the story your son’s told us.” And my mom said, “oh, that’s all true.” So I was - you know that’s always been my
identification. My Indian grandma even
said, even though I was light-skinned I was the most Indian mentally, of all
her grandkids. I was the one that was
Indian through and through. So, I don’t
what the - like an Indian that acts like a white we call apples. I don’t what the - what’s white on the
outside and red on the inside [laughs].
I don’t what there is to describe me, but I’ve always grown up Indian,
proud of it. That’s always been my
identification, ever since I can remember.
It’s just something where it’s just that’s the way that I was.
CH: So
what did you do when you got out of high school, then?
CW: Well,
we didn’t have enough money for me to go to college. So I went to junior college for a year, at
the college of Marin, near San Rafael. [I] was taking engineering. My dad was - I kind of have a unique family
anyway. I tell people, “it’s no wonder
I’m a mess. I was raised by a
conservative Indian father who was fascinated by technology and engineering,
and a radical left-wing WASP mother who loved art and nature. So my mom was always the one that took me
fishing and such [laughs]. It was bound
that I wouldn’t turn out too normal, I guess...
CH: You
were there for two years?
CW: Where
was -? Oh one year. One year, and was working at a gas station,
and was usually out drunk and partying most of the time. But my dad was an engineer, and so I think I
just - probably because of that, was doing engineering. I was really lucky, because he was having me
doing drafting, mechanical drawing by the time I could walk. [It was] just one
of those things I kind of picked up on.
When I was in high school, I would do my friends’ - and college - math for them. You know, I could go into a math class, and I
would be out drunk the night before, and I’d get a hundred percent. It was one of those things. And I always - when they give you the
aptitude test, I would always score a hundred percent on engineering and on
art. It was one of those dual brain -
you know I was kind of lucky that I have both sides - kind of max on both sides
of the brain. But I never - growing up
in the fifties like I did - I never had any concept that you could be an
artist. That that was - that that could
be your primary profession. That was
something you did on the weekend. Those
Eisenhower years - I don’t think I ever comprehended, probably until I was in
my early twenties, that art was something you could do as your life.
CH: Yet,
during that time, I think of the fifties and the early sixties as being - your
being so close to California. That was
really the center of The Beat culture, and the whole North Beach, San Francisco
scene...
CW: Right,
I was in the middle of all of that. And
I really - on the negative side of
growing up in California is I missed so much
of the - of my Indian culture. I
might get to a pow wow in the summer or something, but it wasn’t something that
was daily - part of my life that it would of been if I was up here. On the flip side, I am really glad that I
grew up in the Bay Area during my formative years. I was there during the beatnik thing. It was in the middle of that. Later, I was already really grown up and such, yet I was kind of a hippie, but I
didn’t know what I was until the hippies came along. It was one of those, “oh, okay. That’s what I [laughs] - that’s what I
am.”
CH: Would
you say you were more a part of the kind of beatnik thing that was happening?
CW: Yeah.
Yeah, very definitely.
CH: What
kind of attitudes do you have, or what kinds of things did you do, that would
reflect that beatnik part of your nature?
CW: Well,
really getting into art, going to Jazz clubs.
That’s what really got me interested in art. It was more, at that point, surrealism, and
that was - you know, to a young person, Dollence [sp?] and Dali, and such. I used to hang out in the coffee shops, and
hung out in Furlengetti’s bookstore, and I was - played pool Mike’s pool hall
half the night, and smoking stuff before other people were [laughs], and
stuff. So it was a very - I was graduating just when all the radical -
the be-ins and stuff were happening on - arrested at Berkeley. It just totally changed my life. As I said, I’m really glad I’m back home in
Oregon, but I’m really glad my formative years were in the Bay Area. So I’m very thankful for that.
So
I went to junior college for a year, taken eng - taking calculus and such, and
I didn’t really - was not enjoying it, and...
CH: Why? Why weren’t you enjoying it?
CW: Oh,
I just didn’t - I wasn’t into school. I
wanted to party and have a good time.
So, I got a job as a junior engineer -
so I decided to drop out - as I said I was just going to junior college,
because then it was ten dollars a semester, [unintelligible] back in California
schools where - in the Brown days. You
could go to college for ten dollars a year.
Like I say, I was having to work in a gas station to support
myself. That got real old, so I decided
to drop out for a year, and work for a year, and then go back to school.
CH: That
would have been sixty-three?
CW: Well,
I graduated in Petaluma High in sixty-one, so I went one year, so it would have
been sixty-two.
I
got a job in Sausalito for a big engineering firm, Johnson Controls, as kind of
a junior engineer. I was actually
somewhat trusted. I was the
least-qualified person to apply for this job.
The guy that hired me said he’d just had a feeling that I was the
person, and hired me. Within the end of
the year, I was a full-blown engineer, and people with degrees [were] working
for me. [I] ended up doing that for six years, and never went back to
school. So I worked three years for
Johnson Controls, and then three years Robert Shaw [sp?} Controls.
CH: And
what kind of work were they doing?
CW: Design,
and I was an instrumentation engineer. I
designed a lot of the early NASA computer systems, which is ironic because I
went - this is kind of future in light, but I spent seven years camping, once,
totally after I’d been an engineer, and totally deprogrammed my mind of all
technology. When my Gorge book came, my taxes got complicated enough, a had
to get a calculator. I couldn’t even
work it. My dad and I just - you know,
worked on early-ass [?] computers. I
just deprogrammed my mind so much I couldn’t even [laughs] - I could fix my old
Econoline van, and that was - and my cameras, and that was it. Now I’ve got about four computers, so I’ve
been corrupted again.
So
I got a job, like I say, in Sausalito with Johnson Controls. It turned out to be - in terms of Vietnam, it
turned out to be a lifesaver. I was
drafted six times, and I was doing NASA work.
I had a deferment that I was essential to the national defense. It was when they had just put Sput- you know,
the Russians had just sent up Sputnik, so they were on this big push. Since I did NASA - I was a contract worker,
doing contract work for NASA, so they couldn’t draft me. I got drafted six times, and worked three
years for Johnson Controls, and moved to San Francisco. Then I went to work for Robert Shaw. Then they - then I went to Houston for a
year, and worked on the manned spacecraft center in Houston. Then I went over - I hated Houston. In fact, they paid me hardships - the British
Embassy there paid people in Houston a hardship pay, and so I demanded and got
hardship pay [laughs]...
CH: Sure.
CW: ...For
being there. So they paid me back by
letting me live the next year in New Orleans.
I worked on the Mississippi test facility there. I don’t know if you
remember, in the Goldwater-Johnson years, there was the big campaign thing over
how Ladybird’s land had been turned into this NASA facility - so that’s where I
worked. About two weeks in Mississippi,
being a shaggy - not a longhair like I am now, but for the times, you know, the
Beatles. This is the Beatle Years. I had Beatle hair, which was unheard of, and
was in my early twenties. I decided that
wasn’t - Mississippi was not for me. I
was the boss. I had 150 people working
for me, and my boss was in Virginia, so I just moved into the French
Quarter. This was in sixty-four,
sixty-five. And in the South then, if
you were in the French Quarter, you could do anything you wanted. You could be a transvestite, whatever you
want, hippie, beatnik. You know, there
weren’t hippies yet then, quite, so most people called me a beatnik. But I was this high level engineer. So I lived in the French Quarter in New
Orleans for a year, and then commuted out a couple of days a week to the
project. I had 150 people working for
me, was running multi-million dollar projects, would be in negotiations with
the Army Corps of Engineers for massive contracts, and I was just this kid,
[unintelligible] just take them to the cleaners if they just let down their
guard. This was just some kid, clean
them out.
CH: What
were the projects - what kind of projects were you working on at the time?
CW: Well,
when I was in the Bay Area, it was mostly heating and air conditioning systems
and such. In NASA - you’ve seen, what’s
that, Alphaville, what’s the Gedart [sp?] film where the fascists take
over the world, and they have this control center with all the walls covered
with dials.
CH: Oh
yeah.
CW: So
that’s what I used to design, those [laughs], the walls covered with
instrumentation systems, and such. At
NASA, I was designing the instrumentation systems for the manned spacecraft
center, which is like a massive campus, just these buildings. It was one of those really political - where
Brown and Root [sp?] were buddies with Johnson, and they donated the land to
NASA, but they owned all the land around it.
They become quad - you know, billionaire, big massive rip-off - but
anyway that’s where I’d work. So I was
designing these instrumentation systems for the all the NASA building. I would take all the inputs and stuff, and
feed them into a central computer system, and bring those back - when printers
were IBM typewriters that were hooked into the computer, and the computer room
was about this size or something, with these massive computers. When I worked at the Mississippi Test
Facility, it was the instrumentation systems for the - it was the static tests
they did on the NASA rockets, before they sent them. Before they sent them to Cape Canaveral,
they’d send them there. They had these
massive towers that bolt them onto, and then test fire them, but they were
bolted down so they couldn’t raise up. I
designed those. Like one of them had a
junction box. It had a million wires
coming into it, and I had to design a system where electricians could just -
even electricians could go in and hook up a million wires in a junction box
about the size of this room, and have them come out right.
Then
I went from - so I got really tired of - New Orleans was fun for about six
months, and the food I still miss, but I was ready for the West Coast. So I said, “I’m going back to the West Coast
or I quit.” I ended up going up to
Seattle. It was when I was starting to
get really political. I was - I did a
lot of Boeing work, subcontracting, helped design a lot of the instrumentation
for the 747 assembly plant, which, along with the Cape Canaveral building, one
the two biggest buildings in, I think, the world, definitely the country.
CH: At
Boeing.
CW: Yeah,
up in Everett there, the big 747 facility. I did a lot of the design work on
that. But I was getting really political
at the time.
CH: This
would have been when?
CW: I
moved to Seattle in sixty - I lived there in sixty-six and sixty-seven. So I was like - went to Houston in
sixty-four, went to New Orleans in sixty-five, went to Seattle in sixty-six,
and was there for a year and a half. Then, I
was fighting the SST. I was the only
engineer in Seattle that was against the SST, and had become a real anti-war
activist, and was always in political trouble all the time. That was kind of when hippies came
along. There were people that were
running on the Seattle city council on the total - their only platform was
to go on the UW campus and beat the shit
out of all the hippies, and so [laughs] it was real, real polarized. That’s when I really got politicized. So I moved back to the Bay Area, about the
beginning of sixty-eight, and got my last draft deferment. When the first time I had been drafted, if
you refused induction, you got - you spent about twenty years in jail. By the time I got my sixth one over, people
were burning down draft centers and such.
I moved back to the Bay Area, San Francisco, working for Robert
Shaw. By then, I was working on sewage
treatment plants, because politically, there was almost nothing else - I was a
good enough engineer, I could have any job I wanted, but I wouldn’t work on
most things. So I was ending up working
on things like sewage, recycling plants, sewage and such [laughs]. When I got my last deferment, I called the
draft board, and they said, “we don’t even want to hear from you.” That was the one that carried me until I was
twenty-six and they wouldn’t draft me.
So I quit engineering, and went into the Peace Corps. I decided I’d serve - I’d gotten out of the
service. I figured I wasn’t going to go
to Vietnam, but I definitely felt like I should serve my country. So I spent a year in the Peace Corps, and
ended up in the Dominican Republic. Then
I quit once, and then got kicked out once, and then rejoined, and then got
kicked out the same time the head of the Peace Corps did. This is when Nixon came in and they fired -
about a third of the Peace Corps was - deselected was the term they used for
me, since I was still in the program.
Like I say, I quit once because I was in the Dominican Republic. They, both Johnson and the Dominican government
wanted the Peace Corps there for the political thing, but they didn’t want me
to do anything. I was in the worst
ghetto in Santo Domingo, a place that hated Americans. It was where the Marines were. If you went into the rural parts, they
idolized Americans, because their idea was these care packages that the U.S.
sent - and that was their idea of America.
The minute you went into the city ghettos, where the Marines had been,
they hated Americans, but they’d always say, “well, we love you, but we hate
Americans,” or something.
I
was supposed to be doing community organizing, and if I got caught speaking to
more than two people at once, the police would break it up for being a
communist cell block meeting. It was
kind of hard to do community organizing [laughs] when you couldn’t talk to more
than two people. I helped build a school
for the neighborhood, and stuff - and did some stuff, but I really wasn’t in a
position where I could really accomplish much.
I learned a lot. I mean it was
incredible personal growth. I got
dysentery, and weighed less than a hundred pounds when I got home, and was
really sick. But I learned a lot. Like almost everyone that goes in the Peace
Corps, you come home without any materialism.
You’re in a culture where people live in poverty you can’t even conceive
of, and they’re so much happier than most people in the United States. They’re people that have nothing, and they’re
so easy-going and happy, that it really - I came home really very
anti-materialistic.
CH: So
you were deselected from the Peace Corps then for what reason?
CW: Well,
I quit in the Dominican Republic, because I couldn’t get anything done. I was in training to go to Afghanistan, and
that’s when I was deselected. It was
just for being too radical. I was like a
threat - you know, I was probably a trouble maker. So I say, a third of the Peace Corps got
kicked out that week, including Jack Baum [sp?], the director. This is when Nixon came in.
So
the first time I quit, the Dominican Republic, and then I was supposed to go to
Afghanistan, and got kicked out the day before we went to Afghanistan. But in the process of that, I was hitchhiking
through El Paso, one time, and was eating down in the barrio there, in this
little Mexican Restaurant. Some young
Chicano guys came in that had long hair, and they had never seen anyone - this is sixty-eight or nine, in there - and
they had never seen anyone other than them that had long hair. They all had long hair, but they were the
only guys in west Texas. They were just
- couldn’t believe here was some guy - and so anyway I became buddies with -
you know, I was talking with them. They
seemed liked nice kids. They were like
fifteen to twenty. One of them invited
me to stay in the projects with his family.
So I stayed about a week with a family there in the projects. It turned out they had been - they were the
biggest, most notorious gang in west Texas [laughs]. They were just straight kids to me. So it turned out, they had - there had been a
Catholic priest - this is in the Segunda Barrio there in El Paso, right on the
border there. You don’t know which side
of the Mexican border - I mean there were conditions there that were just
appalling. (We probably want to get more
salad bar than where we were.)
CH: So
are we going?
CW: Yeah,
yeah. So I met these young Chicano guys
that turned out the biggest gang in west
Texas, and next to the Shamrocks, the most feared gang. There had been a Catholic priest there, in
the barrio there, this really poor part.
Say, this is poverty beyond anything someone in the West Coast had
been. They had these apartments there
called the Bisidios [sp?]. They’d be
about - there were massive rats and there were no indoor plumbing, no
electricity, and there’d be about two outhouses and a water faucet between
these rows of apartments. [It was] just poverty like I have never seen. All the slum lords were the mayor and the
county health inspector, and people.
They loved it when the kids were fighting each other, and not political.
So this Catholic priest there had gotten all the other gangs, like, a big brother. He was some local Mexican guy who ran a grocery store, or something, that the kids would go to. And this gang was the biggest, most notorious, and they weren’t about to have a big brother, but they kind of missed it. So when I left El Paso, they said, “well, if you want to come back and work with us, you know, you’re the only person crazy enough to be our big brother.” [laughs]. So - and they we